Term 2 Information

Exploratory Drawing

A image of a work in progress by Victoria Bellas Carter ©  from her website. Notice the teeny weeny scraps of tissue paper she uses to create her stunning works. You can see more HERE

 Term 2 is looming! Please note that Mentone/Mordialloc Art Group classes will be held this Thursday, 25 April. (ANZAC day) Usual times.

Further to Term 2, I will be travelling to the UK during May/June. Classes will proceed as usual at both VAS and MMAG. 

VAS classes will be taken by Nathalie Anne for the full term. She is a wonderful teacher and has titled the class 'Exploring Florals Through Drawing'. It looks great, darn it, I want to take that class! 

MMAG classes will be split between myself and the talented Tina Russo. For any student who missed the information hand out last term at MMAG, here is the brief:

Term 2. Exploratory drawing.

Discover different ways to make a mark on your paper using organic washes, tissue paper, twigs in ink, coffee/tea, stencilling, stamping with natural objects, etc. I will be away this term for 5 weeks; May 16 to June 18. I will return to class on June 20. Tina Russo will run the class during the time I am away.

April 25, May 2, May 9 with Linda:

Botanical innovations using tissue paper/collage

Have you ever tried using bleeding tissue paper? We will experiment with this versatile medium to create interpretative floral and botanical subjects. Linda will bring some tissue paper materials along. But see the list of additional suggested materials and try and source your own as well.

Want to be inspired, check out this video - with any luck at all I will visit her gallery!: Victoria Bellas-Carter

During the Term break please do some homework by looking at the artists: Mary Delany (British Museum website), Jo Reimer https://www.joreimer.com/ and make sure you look at Victoria Bella Carter https://www.victoriabellascarter.com/  Also, view this video for some ideas on materials and techniques: https://www.youtube.com/watch?v=V1a3FcBQMOQ

These artists will inspire you!

So, start collecting your materials now:

•            White Heavy weight paper or board. This needs to be robust but need not be expensive. You might also consider canvas board or stretched canvas.
•  If you use paper your drawing board will be ESSENTIAL
•   Masking tape
•  Spray water bottle
•  Craft glue such as ModgePodge (matt or gloss, whichever you prefer)
• Colour pencils
• Graphite pencils
  
• Stiff bristle brush (see video).
• scissors

Any or all of the following:

·        white erasers (for carving stencils)

·        Craft knife

·        Old painted artwork you can cut up

·        Magazines, newspapers, cards etc you can cut up

·        Inks, ink pens

·        Tea bags/instant coffee

·        Spices – turmeric stains nicely!

·        Salt

·        Alcohol

·        Brushes of various sizes and stiffness

·        Twigs, leaves, bamboo etc.

·        ANYTHING that can be turned into a ‘stamp’

·        Have something you want to try, or an idea you want to explore? Bring it along and give it a go.

Interpretative drawing with Tina

Tina Russo will take over the class for the rest of the term, May 16, 23, 30, June 6, 13 and 20. Tina is an accomplished artist specialising in graphite and colour pencil with the selective use of stamping and soft wash. Her works will inspire you! You will have the opportunity to meet her prior to Term 2 beginning. She will have her own projects to work with you on and may wish you to bring additional materials – she will let you know.

Linda returns for the last class on June 20 with to see what you have been doing and talk about her trip.

Immersed in Castlemaine

 There is a wonderful small space art gallery in Castlemaine that is well worth a look. Showcasing local and abroad artists with beautifully curated exhibitions. Coming this month is a group show 'Immersed' featuring three exceptionally talented women, Jane Rusden, Bridget Farmer & Sheridan Jones.

Sheridan Jones © 2024

I am a particular fan of Sheridan's works and I look forward to seeing this new body of her work. The way Seridan cuts and manipulates paper into forms and shapes is delightful. I'd encourage you all to spend a day in our golden Autumn weather up in Castlemaine and view this special show at the Artpuff Gallery,
9 Walker Street.

 You can see more samples of Sheridan's work at TacitArt: HERE

Swamp Wallaby

 Second term has wound up, and everyone is off on holiday for a few weeks. Thought I would show you the completed demonstration piece I created in class to explain techniques and process.

Our theme in second term was 'cute and furry' - with an emphasis towards Australian animals. In the second half we concentrated on using colour pencils (hue) supported by graphite pencil (tone). Additionally artists were requested to incorporate a background in some way. Either a background that had some detail and recession, or a coloured 'suggestion'. I chose to use the suggestion style of background.

The reference photo I used was one of my own, a shot taken of a swamp wallaby some years back when I was out hiking. The base outline was created freehand direct to the paper (no tracing). The work is on an A3 size sheet of Fabriano Artistico Hotpress 300gsm. Background was created using Graphitint pencil washes (Ivy & Indigo hues). The wallby also used both Graphitint in indigo and Derwent 4b watersoluble graphite washes to create a base under tone. Following this undertone wash, fur drawing completed using Staedtler Mars Karat colour pencils in the dry state, with supporting tone and line work in Staedtler Mars graphite pencils - F, HB, 2B and 2B.

He came out okay I think - it isn't anything deep and meaningful, just a cute portrait of a wallaby, but a satisfying result all the same.

Swamp Wallaby by Linda Weil © 2024

Blairgowrie Yacht Squadron Art Show

It is delivery day today! I will be travelling down the penninsula to Blairgowrie - showing 3 works. One of the pieces I am showing is 'Sprocketree'. 

'Sprocketree' plus detail above by Linda Weil ©2024

I will also be delivering two new works for Sheridan Jones - these are currently in the boot of my car and I am going to have a sneak peak when I deliver.
Sheridan does wonderful works incormporating cut paper and paper sculpture.

Lisa O'Keefe will also be showing some new works. So this is an art show that you should not miss!

Please come and visit this wonderful show over the Easter weekend. A perfect excuse to come down to the Blairgowrie/Sorrento area. I will be atending the opening night on Friday, 29 March, (which is alot of fun!), and if you wish to join me check this link for tickets: BYS

See you there!

Grand re-opening at Tacit!

 After several weeks in hiatus, Tacit Art's new gallery opens this week! Three fabulous artists are launching the new space. Do come along to opening night to help celebrate a new era for Tacit Art.

Launch of new premises and opening night invitation Wednesday 20 March 6.30-8pm

Exhibition dates Wed 20 Mar - Sun 14 April 2024

Tacit Art - new premises 314 Johnston St, Abbotsford, Vic 3067 Ground and first floor

Linda Pickering

Re-Imagined

Inspired by a series of personal snapshots of the buildings of central Melbourne, Linda Pickering has interpreted the proximity of these towering structures to each other and the reflective surfaces in her continued exploration of reductive abstraction. In looking to create a level of calm, remove the noise and the unnecessary, Pickering has extended her habitual limited palette. The result is the buildings, whilst remaining, have taken on new identities, becoming different versions of themselves as the geometric shape and colour shift and alter their priority on the canvas and their relationship to each other.

See work in the exhibition here

Susan Stevenson

Ghosts in the Concrete

Travelling in Europe last year, I was struck by the soft beauty in the weathered plaster of ancient buildings. The depth of colour and texture in the peeling paint and uneven plasterwork reminded me of aerial photographs of central Australia with cracks from shifting brickwork, blocked windows and forgotten doorways echoing the straight lines and random right angles of European settler land distribution. In the Australian context, however, these lines are no longer just poignant reminders of small lives passing across thresholds and generations. Boundary fences and minor roads have become earthworks visible from the air, supplanting natural landforms as defining features of the continent. The paintings in Ghosts in the Concrete embrace the often competing strands in our relationship to landscape and history in this country.

See work in the exhibition here

Susan Wald

The Gathering

Susan Wald's luminous canvases, with their distinctive foreground assemblies, invite storying. In each scene, the assemblies become animated; the players take on disposition and purpose. They herd together, their eyes on the interloper; they gain safety in numbers. Sometimes, humanoid, they converse - convivial guests around a dining table. Other times, they form a conga line, dancing along an infinity loop across canvases. The images lure us to find a narrative, despite their subject matter. For the models of these players are bleached skulls of animals, vestiges salvaged from beaches, roadsides and deserts – goats, a sheep, kangaroos and wallaroos, a fox, a dog. For one, there's a weathered fragment of spine; for the rest, no clues, no shards of former lives. The little heads suggest powerlessness, counter to their likely past lives. The goats' horns suggest authority. This is haunting. Globally, we are witnesses to the menace of such hubris and horn-locks.

See work in the exhibition here

TACIT ART 314 Johnston St Abbotsford VIC 3067 Australia